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DEPARTMENT OF STATE
MemoranJum of Conversation
DATE: September
a,
SUBJECT:
PARTICIPANTS:
Lt. Col. ~lendell V!. Per~'il, Office ~f the Provost M.srsh.31 General
ICD - Ardelia R. Hall
COPIES TO:
After ~1r .. "H. S. Leonara., of the City Art Museum of St. Louis,
told .;:":e on September 19, 1951,·tb.<.'1.t he was on the tr.2.,c.1c of some of
the Kronberg 'jewels, I calJ.ed Col"'Perham to ask his ,").drics.
Col. Perhemsaid tha.t the !I{issouri Hilit?.ry District in the
Mart ·.Bunding, St. Louis, IvIissouri will be receT,'tive to the
information.
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van Gogh's great Self-Portrait from Munich, which Alfred Frankfurter
would buy for Maurice Wertheim for SFr 175,000, the highest price of the
day; and Matisse's Bathers with a Turtle. Indeed, Pierre Matisse, bidding'
for Pulitzer, considered the Bathers one of his father's masterpieces, and
had been prepared to go far higher than the final bid of SFr 9,100.3
Missing at Luceme'were the joy and excitement usually felt at such a
sale. Joseph Pulitzer remembers quite different emotions: "To safeguard
this art for posterity, I bought-defiantly! ... The real motive in buying
was to preserve the art."4 It was widely felt that the proceeds would be
used to finance the Nazi party. The auctioneer had been so worried about
this perception that he had sent letters to leading dealers assuring them
that all profits would be used for German museums. Daniel Kahnweiler,
whose own collection had been confiscated and auctioned by the French
government after World War I, was not convinced and did not attend. 5
Alfred Barr, director of the Museum Of Modem Art, in Paris ammging its
upcoming blockbuster Picasso show, did not go either, feeling that the mu
seum should not be linked in any way with such an unpopular sale. He also
instructed his staff to' state firmly that recent acquisitions from Germany
had been bought from the new Buchholz Gallery in New Yor0
Those who did attend were tor~., Marianne Feilchenf~ldt remembers
that some who had agreed not to bid finally could not reSISt. She and her
husband, appalled to note that one of the lots was a Kokoschka, Cathedral
ofBordeaux, which they had donated to the Nationalgalerie in Berlin, did
resist, and the picture did not sell. Friends with them eventually suc
cumbed to the temptation of the low prices and bought Nolde's Red and
Yellow Begonias.
The French journal Beaux Arts called the atmosphere at the Grand Na
tional "stifling." The hall, it said, was filled with curious Swiss spectators,
interested in the politics of the sale. American dealers bid low, and no
French bidders were in evidence. The auctioneer did not conduct the pro
ceedings as one would expect:
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Prologue: They Had Four Years
THE RAPE OF EUROPA
4
The sale was efficiently conducted by M. [Theodore] Fischer, who
was not always able to hide his disdain for certain degenerate pieces.
Presenting Man with a Pipe by Pechstein, he said, with a little sneer,
"This must be a portrait of the artist" ... when he withdrew other
lots, which he had started at rather a high minimum,-he took wicked
pleasure in observing loudly, "Nobody wants that sort of thing," or
"This lady doesn't please the public" ... and he smiled when he said
'.11
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5
Theodore Fischer (left, standing) takes bids for van Gogh's Self-Portrait, formerly in
Munich's Neue Staatsgalerie.
In the midst of all these passions, the quiet Belgian group did the best
of all, acquiring a top Ensor, Gauguin's Tahiti, Picasso's Acrobat and
Young Harlequin from Wuppertal, Chagall's Maison bleue from
Mannheim, and works by Grosz, Hofer, Kokoschka, Laurencin, and
Nolde. In his wildest dreams, the Brussels banker who bought the Picasso
could not have imagined that it would sell for over $38 million forty-nine
years later.
When the auction was over, twenty-eight lots remained unsold. The sale
did not bring in nearly as much as had been hoped. The proceeds, about
SFr 500,000, were converted to, of all things, pounds sterling, and de
posited in German-controlled accounts in London. The museums, as all
had suspected, did not receive a penny.
These pictures had been banished from Germany as "degenerate art," but
the Nazi authorities were well aware of their usefulness as a convenient
means of raising urgently,needed foreign currency for the Reich. To Al
fred Hentzen, a curator at Berlin's Nationalgalerie who had been fur
loughed from his job for nine months in 1935 for showing excessive
intere~t
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�Page lof1
Provenance of Paintings Display
Provenance of Paintings Display
Pasadena ,: CA, USA.
Norton Simon Museum
MA.RC, FRANZ
Acc No.: M.1968.11.P
Support: canvas
1968
Pasadena, CA, USA.
Simon)
1968 - 1968
Los
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CA, USA.
Norton Simon Foundation
Marlborough-Gerson Gallery, Inc..
Buhrle, E ..
1939/06/30
- 1939
(0091)
New York, NY, USA
ZUrich, Schweiz
German Museums sale (Galerie Fischer) Luzern
DUss
Deutschland. Stadtische Kunstsammlungen
(declared !'degenerate" and removed from the museum)
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12/8/99
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Presidential Advisory Commission on Holocaust Assets
Description
An account of the resource
<p>The Presidential Advisory Commission on Holocaust Assets in the United States, formed in 1998, was charged with investigating what happened to the assets of victims of the Holocaust that ended up in the possession of the United States Federal government. The final report of the Commission, <a href="http://govinfo.library.unt.edu/pcha/PlunderRestitution.html/html/Home_Contents.html"> “Plunder and Restitution: Findings and Recommendations of the Presidential Advisory Commission on Holocaust Assets in the United States and Staff Report"</a> was submitted to President Clinton in December 2000.</p>
<p>Chairman - Edgar Bronfman<br /> Executive Director - Kenneth Klothen</p>
<p>The collection consists of 19 series. The first fifteen series of the collection are composed mostly of photocopied federal records. These records were reproduced at the National Archives and Records Administration by commission members for their research. The records relate to Holocaust assets created between the mid 1930’s and early 1950’s by a variety of U. S. Government agencies and foreign sources.</p>
<p>Subseries:<br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Art+and+Cultural+Property+">Art and Cultural Property</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Gold+">Gold</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Gold+Team+Review+Form+Binders+">Gold Team Review Form Binders</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Art+and+Cultural+Property+and+%E2%80%9COthers%E2%80%9D+Review+Form+Binders">Art and Cultural Property and “Others” Review Form Binders</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Non-Gold+Financial+Assets+Review+Form+Binders">Non-Gold Financial Assets Review Form Binders</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=History+Associates+Binder+">History Associates Binder</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Non-Gold+Financial+Assets+Review+Form+Binders+%282%29">Non-Gold Financial Assets Review Form Binders (2)</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Financial+Assets+Documents">Financial Assets Documents</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=RG+84%2C+Foreign+Service+Posts+of+the+State+Department%E2%80%94Turkey">RG 84, Foreign Service Posts of the State Department—Turkey</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Financial+Assets+Documents">Financial Assets Documents</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?search=&advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=%5BJewish+Restitution+Successor+Organization+%28JRSO%29%2C+Oral+Histories%5D&range=&collection=20&type=&user=&tags=&public=&featured=&exhibit=&submit_search=Search+for+items">[Jewish Restitution Successor Organization (JRSO), Oral Histories]</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=PCHA+Secondary+Sources">PCHA Secondary Sources</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Researcher+Notes">Researcher Notes</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Unnumbered+Documents+from+Archives+II+and+Various+Notes">Unnumbered Documents from Archives II and Various Notes</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=RG+260%2C+Finance+Inventory+Forms">RG 260, Finance Inventory Forms</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Reparations">Reparations</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Chase+National+Bank">Chase National Bank</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Administrative+Files">Administrative Files</a><br /><a href="http://clinton.presidentiallibraries.us/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Art+%26+Cultural+Property+Theft">Art & Cultural Property Theft</a></p>
<p>Topics covered by these records include the recovery of confiscated art and cultural property; the reparation of gold and other financial assets; and the investigation of events surrounding capture of the Hungarian Gold Train at the close of World War II. These files contain memoranda, correspondence, inventories, reports, and secondary source material related to the final disposition of art and cultural property, gold, and other financial assets confiscated during the Holocaust.</p>
<p>For more information concerning this collection consult the<a href="http://clinton.presidentiallibraries.us/items/show/35992"> finding aid</a>.</p>
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Clinton Presidential Records: White House Staff and Office Files
Publisher
An entity responsible for making the resource available
Clinton Presidential Library & Museum
Is Part Of
A related resource in which the described resource is physically or logically included.
<a href="http://clinton.presidentiallibraries.us/items/show/35992" target="_blank">Collection Finding Aid</a>
<a href="https://catalog.archives.gov/id/1040718" target="_blank">National Archives Catalog Description</a>
Extent
The size or duration of the resource.
2954 folders
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
[Miscellaneous Records]
Creator
An entity primarily responsible for making the resource
Presidential Advisory Commission on Holocaust Assets in the United States
Art & Cultural Property Theft
Is Part Of
A related resource in which the described resource is physically or logically included.
Box 225
<a href="http://clintonlibrary.gov/assets/Documents/Finding-Aids/Systematic/Holocaust-Assets.pdf" target="_blank">Collection Finding Aid</a>
<a href="http://catalog.archives.gov/description/6997222" target="_blank">National Archives Catalog Description</a>
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Clinton Presidential Records: White House Staff and Office Files
Format
The file format, physical medium, or dimensions of the resource
Adobe Acrobat Document
Publisher
An entity responsible for making the resource available
Clinton Presidential Library & Museum
Medium
The material or physical carrier of the resource.
Reproduction-Reference
Date Created
Date of creation of the resource.
6/24/2013
Source
A related resource from which the described resource is derived
6997222-miscellaneous-records
6997222